Topic: Discoveries, not presets, and the future of sleep
I feel the need to start this thread--about sounds that don't really rise to the level of presets, since they may just involve one or two changes,and are more first steps for further edits than final edits.
Like the old C2 Chamber with the reverb off and the sound set to Binaural, with the head brought in closer and moved slightly to the left, and the Sound speed brought down very low, which seems to bring the piano in closer (I thought it might do the opposite, since the sound would reach the listener faster, but it instead seems to let the sound linger close by.) Lots to do from there, but just these few changes create an interesting point of departure.
Which really worries me. Has anyone actually done the math, yet? With around 35 parameters, each with say 50 steps, for acoustic pianos, and seven acoustic pianos (counting the Erard, the Bechstein, and the ones we can load from the previous versions), and ignoring the eq and velocity and mic settings, how many possible variations of the piano can we now create, and how many hours of lost sleep will these cost us?